Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Wednesday, September 09, 2009

Beatles Remasters and other bits you need to know.

Well, today is the day I have been longing for and talking about for quite a while. The whole Beatles catalog was cleaned up and re-released today--FINALLY! I caved and ordered the Mono set online and bought five Stereo CD's: Revolver, Sgt Pepper's Lonely Hearts Club Band, White Album, Abbey Road, and Past Masters. I have only listened to the stereo Revolver CD so far. It's definitely better than the 1987 CD, but I wasn't blown away by it. It's a cleaner, more vibrant sound than before, but I still miss the way my old vinyl albums used to sound. There are some things I was used to hearing all while growing up that just hasn't transferred to digital. Even with the high price tag of $229 on the Mono set I am really looking forward to hearing those CD's as the Beatles preferred those mixes over stereo in the sixties.

In other pop culture news of interest Pat over at Silver Age Comics has a cool post about a Superman Imaginary story. DC's imaginary stories used to catch a lot of ridicule from Marvel and Marvel fans back in the 60's. Later Marvel would come up with their own version of Imaginary stories called "What If" so go figure. Imitation is the sincerest form of flattery.

I just finished reading The Marvel Masterworks Silver Surfer Vol 1. First: these hard bound bookshelf collections of Masterworks and the DC Archives are outstanding compilations when reading comics from forty years ago. Vibrant colors and quality printing make them hard to put down. I am constantly searching discount web sites or comic shops for used copies. Secondly: about the Silver Surfer stories in this compilation; it collects the first 6 issues of Silver Surfer. The Silver Surfer was the mouthpiece for Stan Lee and this character gave voice to Lee's feelings and thoughts on racism, ignorance, violence, war, politics, and just about all the hot button issues of the late 60's. I have to tell you that Lee's overly preachy soliloquies get old real fast. After Silver Surfer #1 we pretty much get where Stan is coming from and the proselytizing every issue wears on my last nerve.

Even with that criticism it still has some of Lee's finest writing and plotting along with John Buscema. A word about Buscema's art: Awesome! Totally awesome. Issues 1-3 are good but pretty standard Marvel plotting then it takes off...issues 4-6 are as good as any comic I have ever read. However, the more adult themes and higher price of 25 cents failed to reach enough of the older readers it was aiming for and SS only lasted for 18 issues. I also suspect that not including to the humor of Marvel's most successful comics; i.e., Fantastic Four and Spider-man didn't help. But the Silver Surfer making wisecracks certainly would not have worked. It would have been a good idea to give the Surfer a complimentary character, a la; Rick Jones to lighten things up a bit.

Friday, July 31, 2009

These aren't your Dad's comic books.

I don't read a lot of the current comic mags coming out these days. If I do I will wait to pick up the trade editions like the excellent Captain America run going on by Ed Brubaker and Steve Epting.

Obviously comics today are not written for children as they largely were when I was growing up in the Silver Age back in the 60's. The classic comics back then may have had kids as their target audience but they did not talk down to us. Quite the contrary they introduced science fiction concepts; language; morality; and even social issues that have stayed with us into our adult lives. It's a different ball game today to be sure. With so many different mediums able to provide kids with the instant gratification of constant stimulation to keep their attention, comics are having a tough go of it.

Comics look very slick today and most of them cost 3 or 4 bucks a piece. Even as slick as they look they aren't as slick looking as a Blu-Ray DVD...so there you are. What they are doing, though; is becoming as dark, violent, and gory as the computer games they compete against. Right now throughout the summer Marvel has it's "Dark Reign" crossing over in it's titles and DC has "Blackest Night".

I decided to check out was going with DC's "Blackest Night" and have read Green Lantern #43 and Blackest Night #1. All I can say is...UGH! Basically in these two books an old GL villain called "Black Hand" falls under the control of some dark devilish force in space sector 666. We see Black Hand eviscerate, disembowel, and flay his mother, father, and two brothers. Then for the piece de resistance he blows his brains out; all in stomach churning graphic detail. Yum! Torture porn comes to comics. BH is brought back by the sinister dark and malevolent force in space sector 666 and then proceeds to go about raising deceased super-heroes. As you can guess they don't return as the good guys they were when they died. They are zombies or something worse bashing heads to a bloody pulp for their demonic master in space sector 666.

When I finished reading I didn't feel entertained. I felt bad. Movies like Saw and Hostel have the same affect. They aren't entertainment, they are an all out assault. My opinion is that if comics are to survive they need to be more like Brian K Vaughn's "Runaways" and Grant Morrison's "All Star Superman" which are everything that has been and will be great about comic books. In the mean time I will be happy to re-read my Silver Age comics.

Tuesday, April 14, 2009

The Beatles in the comics.

Growing up in the 60's meant that you saw the Beatles in many publications not the least of which were comic books. I'm not going to talk about comics that were one shot issues that were produced specifically to feature the Beatles. Naturally the DC and Marvel romance comics would have an issue where the Beatles were mentioned as a back drop to some soap opera plot. In fact one of the harder romance comics to find in upper grade condition is "Girls' Romances" #109 from 1965. Beatlemania was in full swing with the Fabs on the cover which is drawn by Gene Colan. Colan went on to much greater heights as a fan favorite drawing superheroes "Daredevil", "Iron Man", "Sub-Mariner", "Dracula", and"Batman", and he does a nice rendering here of the Beatles on the cover.

The Beatles also made appearances in the mainstream silver age superhero comics which were usually quite amusing. Displaying the hipness that would eventually make Stan Lee and Marvel the number one comics company, "Strange Tales" #130, feature the Beatles in a March 1965 issue. The cover shows the Thing and the Human Torch hilariously wearing Beatle wigs. The Thing and The Human Torch are taking their girl friends to see a Beatles concert but have to leave the girls to go and defeat a villain. Bummer man. Stan Lee was definitely one cool cat.

Beating Marvel to the punch though was DC which published "The Red-Headed Beatle of 1,000 B.C." in the Sept 1964 issue of Jimmy Olsen. Jimmy travels back in time and puts on a show for the ancient teenagers with a Beatle haircut and a bongo. Superman being no square himself notes that Jimmy is as popular Ringo.

Obviously, DC felt that Jimmy Olsen being a young cub reporter was able to relate to kids who read comics and were also big Beatle fans. The Beatles are referenced again in "Jimmy Olsen" #88. Superman is doing a twist like shimmy while warbling "YAH YAH YAH".

The most entertaining of all the Beatles references in Superhero comics was in "Batman" #222. This issue has a cover date of June 1970 and came out just as the group was breaking up. The story written by Frank Robbins is a take off on the "Paul is dead" hoax that was perpetrated by a Detroit disc jockey but managed to capture the world's attention. Unlike Paul McCartney who was cut off from the world on his farm in Scotland, which only helped fuel the rumor, and who was innocently unaware of the firestorm; the leader of this comic's fictional band (who were drawn to resemble the Beatles) actually and purposefully planted clues that he was dead and replaced by a doppleganger.

Friday, March 27, 2009

A Valiant effort

The last time I was truly excited about modern comics was in 91-92 with the birth of the Valiant Comics Group. A brief history on Valiant is that it was a start up comics company that was formed largely through a partnership of Jim Shooter and Steven Massarsky. Shooter had originally come into comics as a teenage wunderkind who wrote comics that were published by DC when he was 13 years old, most notably Adventure Comics which featured the Legion of Super-Heroes.


In 1987 Shooter had been fired from Marvel Comics where he was editor in chief. He later got some financial backers and made an attempt to buy Marvel which was unsuccessful. He was introduced to Massarsky, who had a somewhat successful career as an agent representing rock groups, and they in turn got the financial backing to start Valiant.

Because money in the beginning was in short supply, Shooter used the Stan Lee Marvel Comics model in Valiant's infancy of introducing a new book every few months and emphasizing story, characterization, and continuity.
He had obtained the rights to the old gold key characters: Dr Solar, Turok, and also Magnus Robot Fighter which was published as Valiant's first super-hero comic. Money was so tight that Shooter, an admitted rank amateur artist, drew early issues under the pseudonym of "Paul Creddick".


A lot of negative things have been said about Shooter by other people in the comics industry accusing him of being an overbearing, controlling, ego maniac; but make no mistake, the man was an expert, maybe even a genius in his craft. His work as writer and editor of every Valiant book in these first two years was and remains the pinnacle of his career. He used story telling techniques that had not been used by the big two; Marvel and DC, in decades. Comic Book artists had become like rock stars and were making huge salaries and the result was that a large group of them started their own company called "Image Comics" where they would own all the rights to their comic book creations.

The difference between the two young companies was that "Image Comics" was all about flamboyant art and not so much about content. Shooter's "Valiant" produced an extremely crisp comic that was told in old fashioned six panel grids. Again using the Marvel model he had characters crossing over into other characters books and was able to maintain subplots with incredibly tight continuity. These books were simply just a great read; every one of them. The artwork was mostly produced by newcomers in the industry and they were drawn in clear, concise layouts that perfectly illustrated Shooter's plots. No guessing if you were looking at somebody's head or an elbow because of pretentious and self indulgent artwork that was popular at the time. The stories were told in clear concise panels. Shooter also had an astute command of science and was able to write it in a way that entertained and did not come across to his readers as implausible.

Valiant was catching on and took off after a cover story by Wizard Magazine. Early back issues skyrocketed in price. Just as it seemed that Shooter could sit back and bask in the glow of what he created...he was fired. The upshot of it, is that Shooter's partners were in the business to make a company, then sell it for a big profit. When he resisted signing a new deal with more backers that he thought would give him less control over his comic books he was forced out. Just like that it was over.

Valiant sold more books after Shooter left because of the popularity of the characters that he infused such life into, and also because Valiant was an instigator of the the comic speculator boom in the early 90's. As their comics became more and more like the rest of the industry with flashy art in three and four panel pages the content of the stories became less and less important. What made Valiant stand out from the pack was that quality story telling was the nucleus of every book. Valiant sadly replaced great content with gimmicks like foil embossed and variant covers.

Shooter railed against gimmicks but he actually started it all off with the "0" issue which could only be obtained by purchasing enough issues that included coupons which could be mailed in and redeemed with a comic that wasn't sold in the comic shops. Soon every comic company was producing a "0" issue with enhanced variant covers that speculators who weren't really fans bought and bought and bought. The boom predictably crashed which almost ended the whole industry. All of the duplicate books that had variant covers or were shipped in plastic bags that speculators and fans bought multiples of were actually worthless and quickly filled up the quarter boxes in the shops.

The fans of the early Shooter produced Valiant books clamored for copies that had now dropped low enough in price where they could be obtained and enjoyed over and over. Valiant was eventually sold to a company called "Acclaim" that wanted to use the characters as video games. The Gold Key characters: Magnus, Solar, Turok reverted back to their original copy write owners. Jim Shooter would go on a couple of more times to start a new universe of comics, but wasn't able to duplicate the same magic as Valiant and failed. Shooter most recently finished a run on the Legion of Super-Heroes where he started his career.

Tuesday, March 03, 2009

1956 -The Silver Age of Comics

I was born in 1956. Stamps cost 3 cents; a gallon of gas - 23 cents; a gallon of milk - 97 cents.

Among the more notable events besides my birth was the introduction of play-doh but that was hardly the most memorable. Elvis Presley blasted into the national consciousness with "Heartbreak Hotel, Hound Dog, and Love Me Tender". Even bigger than those hits was Elvis' first appearance on the Ed Sullivan Show and changed the course of popular music forever.

It was also, and as it happens the topic of this post, the dawn of the Silver Age of Comics. The Superman TV show was going strong but comic book super-heroes had all but disappeared. The mainstays of Superman and Batman sold well but were pretty much in a formulaic rut. Comics were more commonly referred to as "Funny Books". Then Showcase #4 nonchalantly appeared on the news stands and racks. Some character in a bright red suit was on the cover and he was called "The Flash". That particular comic reinvented and re-defined the super-heroes from the 40's that faded away.

If you grew up in that period it's doubtless that your images of Superman, Flash, Green Lantern, and today's popular films of superheroes; i.e, Batman, Spider-Man, The Hulk, Iron Man, The X-Men, and the Fantastic Four were forever defined.

Comics were 10 cents then 12 cents, and you could get annuals of reprints for a mere 25 cents. It was hours of cheap, colorful, and imaginative entertainment. There was no color TV not to mention cable and satellite with hundreds of stations, video games, or DVD's. It was a black and white world. Kids could only live their fantasies in a 4 color medium through Walt Disney who was systematically releasing all of his classic films once a year. Far more accessible were comic books which screamed "look at me" "buy me" with their fantastical characters and vivid eye catching colors from the covers.

You will find jillions of sites on comic books but the best one that I have found is devoted to this period and frequently posts engaging synposes of full comics, and loads of information on the creators, editors, artists, writers and publishers. It's mostly DC and Marvel stuff natch, but reminds us that there were other companies out there like Harvey, Charlton, and Dell putting out entertaining books.

Silver Age Comics is updated three or four times a week with new posts and I hardly ever miss visiting it at least once or twice a week. Here is an image from a comic reviewed on this site. Check it out.